Marion Traenkle
Papers
1
Total Citations
2
H-Index
1
About
Marion Traenkle is a pioneering artist-researcher whose work sits at the intersection of performance, robotics, and materiality. Her primary research areas include machinic aesthetics, performative installations, and the exploration of non-human agency through kinetic sculpture. Traenkle’s major contribution lies in her creation of "slippery" mechanical-robotic performances that challenge traditional notions of narrative and embodiment. Her most cited work, *ON TRACK* (2010), exemplifies this approach: a performative installation featuring a mechanical mop and a troupe of robotic brushes interacting with spilling viscous fluids. Through this machinic assemblage, Traenkle generates a "slippery, smelly narrative" that emerges from the interferences and interactions between the robots and their environment, proposing "other ways of knowing" beyond human-centered cognition. While her citation count (2) is modest, her work has been influential in the fields of media art and performance studies, where it is recognized for its innovative fusion of choreography, engineering, and critical theory. Traenkle’s practice continues to push boundaries, offering a unique lens on how machines can perform and communicate through messy, embodied processes.
Research Focus
Key Achievements
Top Papers
- 1<i>ON TRACK:</i> A Slippery Mechanic-Robotic Performance2 citations · 2010