Linda Dement

Papers

Total Citations

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About

Linda Dement is a pioneering Australian digital artist and researcher whose work interrogates the intersections of technology, the body, and abjection. Her key research areas include cyberfeminism, interactive installation, and the aesthetics of disgust, where she uses code and robotics to create visceral, unsettling experiences. Dement’s major contribution lies in her development of "slippery" machinic performances that challenge traditional human-machine boundaries. Her most-cited work, the 2010 article *ON TRACK: A Slippery Mechanic-Robotic Performance* (2 citations), documents a performative installation featuring a mechanical mop, robotic brushes, and spilling viscous fluids. This piece exemplifies her signature approach: generating "other ways of knowing" through the messy, smelly interactions of autonomous machines. While her citation count is modest, Dement’s influence is profound within new media art and digital humanities, where she is celebrated for pushing the limits of interactive art. Her notable achievements include pioneering early cyberfeminist art in the 1990s and creating works that remain touchstones for discussions of embodiment and technology. For students and researchers, Dement offers a radical model of how art can critically engage with the materiality of digital systems.