Papers

2

Total Citations

22

H-Index

2

About

Thomas Hans Fritz is a pioneering researcher at the intersection of music cognition, social neuroscience, and human-robot interaction. His work explores how music functions as a social technology, with a particular focus on cross-modal emotional transfer. In his highly cited 2017 study, "Blame it on the bossa nova," Fritz demonstrated that the perceived sexiness of music can transfer to the perception of touch, revealing music's role in social bonding and mating behaviors. This work has garnered 18 citations and opened new avenues for understanding how auditory stimuli shape tactile and emotional experiences. More recently, Fritz has expanded into rehabilitation robotics, as shown in his 2025 ethnographic study on telepresence robots for patient recovery. By conducting interviews and observations with patients and healthcare professionals, he identifies technical implications and design opportunities for socio-robotic systems that support rehabilitation. His research bridges fundamental questions about human perception with practical applications in healthcare technology, making him a unique voice in both cognitive science and human-robot interaction. Fritz's work continues to influence how we understand music's power to shape social and physical experiences.

Research Focus

Key Achievements

2
H-Index
2
Papers
22
Total Citations
11
Avg Citations/Paper
🏆 Most Cited Paper
Blame it on the bossa nova: Transfer of perceived sexiness from music to touch.
18 citations · 2017
📈 Most Prolific Year: 2017 (1 Papers)
🤝 Key Collaborators: 14
🏛 Institutions: Max Planck Institute for Human Cognitive and Brain Sciences

Top Papers

  1. 1
  2. 2

Key Collaborators

Contact & Links

Available for collaboration
Content generated · 12 days ago