Laura Maes

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About

Laura Maes is a pioneering researcher at the intersection of music, robotics, and human-machine interaction. Her key contributions center on the design, motivation, and cultural significance of robotic musical instruments, with a particular focus on the Man and Machine Robot Orchestra at the Logos Foundation in Ghent, Belgium. Her most-cited work, “The Man and Machine Robot Orchestra at Logos” (2011, 41 citations), offers a comprehensive overview of the automata that comprise this unique ensemble, detailing the creative impetus behind their construction and how they transform both existing and newly invented instruments. By examining the automation of musical performance, Maes illuminates how these robotic systems challenge traditional notions of artistry, embodiment, and collaboration between humans and machines. Her research not only documents a landmark in robotic musicianship but also provides a foundational framework for understanding the aesthetic and technical evolution of automated sound. Through her detailed analysis, Maes has established herself as a key voice in the emerging field of robotic music, inspiring further inquiry into how machines can expand the boundaries of creative expression.