Patrizia Veroli

Papers

1

Total Citations

3

H-Index

1

About

Patrizia Veroli is a leading scholar in dance history, with a particular focus on the intersections of performance, technology, and early 20th-century avant-garde movements. Her research illuminates how pioneering figures like Loie Fuller redefined the art of dance through radical technological and conceptual innovations. In her highly influential work, "Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine" (2009), Veroli masterfully demonstrates how Fuller’s use of artifice and electric light not only captivated Symbolist artists but also profoundly shaped the Futurist imagination, as evidenced by her mention in Marinetti’s *Manifesto of Futurist Dance*. This paper, cited 3 times, is a cornerstone for understanding the dialogue between dance and the machine age. Veroli’s scholarship is essential for students and researchers exploring the genealogy of modern performance, revealing how Fuller’s innovations anticipated the multimedia spectacles of the future. Her work continues to inspire new inquiries into the role of technology in the performing arts.

Research Focus

Key Achievements

1
H-Index
1
Papers
3
Total Citations
3
Avg Citations/Paper
🏆 Most Cited Paper
Loie Fuller’s Serpentine Dance and Futurism: Electricity, Technological Imagination and the Myth of the Machine
3 citations · 2009
📈 Most Prolific Year: 2009 (1 Papers)
🤝 Key Collaborators: 0

Top Papers

  1. 1

Contact & Links

Available for collaboration
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