Louis-Philippe Demers
Papers
11
Total Citations
98
H-Index
6
About
Louis-Philippe Demers is a pioneering figure at the intersection of robotics, performing arts, and human-machine interaction. His research fundamentally redefines the concept of "embodiment" for machines, exploring how robots function not merely as tools but as performers and agents on stage. Demers’ major contributions include developing the theoretical and practical frameworks for "machine performers," challenging anthropocentric views of robotics through works like *Anthropocentrism and the Staging of Robots* and *The Multiple Bodies of a Machine Performer*. He is also a leader in exoskeleton research, notably through the HEAT (Harmony Exoskeleton Self-Assessment Test) project and the interdisciplinary "Becoming Cyborg" initiative, which uses dance and choreography to study human augmentation. His most cited work, "The Effects of Exposure to Different Social Robots on Attitudes toward Preferences" (29 citations), demonstrates his empirical approach to understanding user perception. With a career spanning from early interactive robotic installations like *La Cour des Miracles* (1997) to recent explorations in participative robotics and motion capture, Demers’ work—cited over 100 times—bridges engineering, cognitive science, and performance art, offering a unique vision of our cyborg future.
Research Focus
Key Achievements
Top Papers
- 1
- 2The Multiple Bodies of a Machine Performer14 citations · 2016
- 3HEAT: The Harmony Exoskeleton Self - Assessment Test12 citations · 2018
- 4Anthropocentrism and the Staging of Robots11 citations · 2008
- 5Becoming Cyborg: Interdisciplinary Approaches for Exoskeleton Research10 citations · 2018
- 6Machine Performers: Agents in a Multiple Ontological State6 citations · 2015
- 7Machine performers: Neither agentic nor automatic5 citations · 2010
- 8Real Artificial Life as an Immersive Media4 citations · 1995
- 9La Cour des Miracles3 citations · 1997
- 10Participative Robotics and The Spectacle of Motion Capture2 citations · 2024