Brunella Antomarini

Papers

Total Citations

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About

Brunella Antomarini’s research lies at the intersection of aesthetics, philosophy, and technology, exploring how digital and virtual environments reshape human perception, creativity, and identity. Her most cited work, *Aesthetics in Present Future: The Arts and the Technological Horizon* (2013), offers a groundbreaking analysis of how contemporary art and media—from robotics and virtual bodies to Twitter and architectural interfaces—challenge traditional Kantian frameworks of aesthetic judgment. Antomarini introduces concepts like “unimodernism” to describe the collapse of historical time into a permanent present, and she interrogates how interactive technologies redefine the boundaries between self and machine, artist and audience. Though her citation count is modest (2 citations for this key work), her influence is felt in niche academic circles concerned with digital culture, posthumanism, and media theory. Her writing is notable for its interdisciplinary daring, weaving together philosophy, art criticism, and technological critique. For students and researchers, Antomarini’s work offers a vital lens for understanding how the aesthetic experience evolves in an age of algorithms, robots, and networked attention—a must-read for those exploring the philosophical implications of our technologically saturated world.