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Self/Image: Technology, Representation, and the Contemporary Subject

Amelia Jones

Year
2006
Citations
143

Abstract

Self/Image explores the ways in which contemporary artists have deployed new technologies of representation, from analogue photography to more recent artistic practices including digital imaging, performance, robotics, film and video installations, to explore and articulate shifting modes of subjectivity. this book is one of the first full0length studies to investigate the complex intersubjective relations among these diverse artistic practices. -- p. [4] of cover.

Keywords

SubjectivityRepresentation (politics)Self representationSubject (documents)PhotographyCover (algebra)Visual artsArtAestheticsArtificial intelligence

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