Ursula Frohne

Papers

Total Citations

201

H-Index

About

Ursula Frohne is a leading scholar in visual culture and media theory, whose work critically examines the intersections of surveillance, art, and politics. Her key research areas include the history and theory of surveillance, the rhetoric of control in visual media, and the role of art in negotiating public and private space. Frohne’s most influential contribution is her seminal text, *CTRL [space]: Rhetorics of Surveillance from Bentham to Big Brother* (2002), which has garnered over 200 citations. In this work, she traces the evolution of panoptic art from traditional imaging systems to contemporary dataveillance technologies, offering a foundational critique of how surrogate eyes and ears shape our understanding of security and civil liberties. Her scholarship has been instrumental in framing surveillance as a cultural and aesthetic phenomenon, influencing fields from art history to media studies. Frohne’s work remains essential for students and researchers exploring the ethical and political dimensions of watching and being watched in the digital age.