Thomas Lamarre

Papers

Total Citations

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About

Thomas Lamarre is a leading scholar in Japanese media theory, anime studies, and the philosophy of technology, whose work bridges gender studies, visual culture, and political thought. His most cited paper, “Platonic Sex: Perversion and Shôjo Anime (Part One)” (2006, 37 citations), critically examines the proliferation of nonhuman female figures—goddesses, cyborgs, and alien girls—in anime, offering a foundational analysis of gender and genre that has shaped subsequent scholarship. In “Disarming Atom: Tezuka Osamu’s Manga at War and Peace” (2008, 36 citations), co-authored with Ōtsuka Eiji, he recontextualizes Tezuka’s iconic *Mighty Atom* as a parable of postwar Japan-U.S. relations, revealing the political stakes embedded in popular manga. His essay “The Multiplanar Image” (2006, 16 citations) introduces a novel concept of cinematic depth, drawing on the experience of train travel to rethink animation’s visual logic. Lamarre’s translations and critical interventions, such as in “Doll Beauties and Cosplay” (2007, 10 citations), further demonstrate his commitment to making Japanese feminist and media theory accessible to English-speaking audiences. With a career spanning over three decades, his work has profoundly influenced how scholars understand anime’s aesthetic, technological, and ideological dimensions.