Sean Redmond

Papers

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About

Sean Redmond is a leading scholar in screen studies, with a particular focus on stardom, celebrity culture, and the intersections of music and visual media. His major contributions lie in analyzing how iconic performers navigate and shape their public personas across film, television, and digital platforms. Redmond is best known for his work on David Bowie, most notably the co-edited volume *David Bowie On-Screen* (2018), which examines Bowie’s multifaceted presence in music videos, television interviews, live performances, and biographical documentaries. This collection, though recently published, has already garnered attention for its innovative approach to understanding Bowie’s enduring screen legacy. Beyond this, Redmond has extensively explored the emotional and sensory dimensions of celebrity, contributing to fields such as fan studies and the cultural politics of stardom. His research is widely cited by scholars investigating the performative and mediated nature of fame, and his work continues to influence how we understand the relationship between artists and their audiences. Redmond’s scholarship remains essential reading for students and researchers interested in the dynamic interplay between music, film, and identity.