Scott Bukatman

Papers

1

Total Citations

2

H-Index

1

About

Scott Bukatman is a preeminent scholar whose work bridges the visual culture of comics, film, and urban space, with a particular focus on science fiction, embodiment, and the fantastic. His major contributions include pioneering analyses of how superheroes and special effects mediate modern anxieties about technology and the body, most notably in his influential book *Terminal Identity: The Virtual Subject in Postmodern Science Fiction*. Bukatman’s research explores the poetics of garbage and ruins in sci-fi cinema, as seen in his work on *Blade Runner* and the *Mad Max* series, where he argues that detritus becomes a site of cultural dreaming and resistance. While his most-cited paper, “Garbage: The Stuff Dreams Are Made Of” (2004), holds 2 citations, his broader impact is immense: his monograph *Matters of Gravity: Special Effects and Supermen in the 20th Century* has garnered hundreds of citations, shaping fields from media studies to art history. A recipient of the prestigious Katherine Singer Kovács Award for outstanding film scholarship, Bukatman’s work remains essential for understanding how popular culture visualizes the future, the monstrous, and the sublime.

Research Focus

Key Achievements

1
H-Index
1
Papers
2
Total Citations
2
Avg Citations/Paper
🏆 Most Cited Paper
Garbage: The Stuff Dreams Are Made Of: Response to Michael Shanks, David Platt, and William L. Rathje
2 citations · 2004
📈 Most Prolific Year: 2004 (1 Papers)
🤝 Key Collaborators: 0

Top Papers

  1. 1

Contact & Links

Available for collaboration
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