Kevin Page
Papers
1
Total Citations
2
H-Index
1
About
Kevin Page is a pioneering researcher at the intersection of music, robotics, and human-computer interaction. His work explores how robots can be perceived not merely as tools, but as performers and producers of music—challenging our assumptions about creativity, intelligence, and artistic agency. In his most-cited paper, "Interacting with robots as performers and producers of music" (2016, 2 citations), Page provocatively asks whether robots might be seen as someone capable of composing and performing, and investigates how live audiences respond when robots take the stage. This foundational work opens up critical questions about the social and aesthetic dimensions of robotic performance. Though his citation count is modest, Page’s contributions are conceptually rich and interdisciplinary, bridging musicology, artificial intelligence, and performance studies. His research invites students and scholars to reconsider what it means to create and experience music in an age of intelligent machines, making him a distinctive voice in the emerging field of robotic musicianship.
Research Focus
Key Achievements
Top Papers
- 1Interacting with robots as performers and producers of music2 citations · 2016